{"id":88,"date":"2019-09-06T04:18:03","date_gmt":"2019-09-06T04:18:03","guid":{"rendered":"http:\/\/icp05.epgpbooks.inflibnet.ac.in\/?post_type=chapter&#038;p=88"},"modified":"2019-09-06T04:25:00","modified_gmt":"2019-09-06T04:25:00","slug":"ramo-vigrahavan-dharma%e1%b8%a5","status":"publish","type":"chapter","link":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/chapter\/ramo-vigrahavan-dharma%e1%b8%a5\/","title":{"rendered":"R\u0101mo Vigrahav\u0101n Dharma\u1e25"},"content":{"raw":"<div><span style=\"float: right\"><a href=\"https:\/\/youtu.be\/HndrwhS6qNY\" target=\"_blank\" rel=\"noopener\"><img src=\"http:\/\/epgpbooks.inflibnet.ac.in\/wp-content\/uploads\/2018\/11\/download.png\" alt=\"epgp books\" width=\"75px\" height=\"75px;\" \/><\/a>\r\n<\/span><\/div>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<div>\r\n<p style=\"text-align: justify\"><strong>1. Introduction<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\">To understand the culture during the epic period, we study the character in epics with the hope that this reflects to some extent the behaviour of people during that time as well. However since epics are also literature, most characters have sharp edges or have some flaw or the other, or some unique feature. One does not know whether these are the unique traits of the character or a sign of the times. If there were a perfect character in epics, it would be very useful such a character would represent the ideal of the age. In Ramayana, not only do we have such a perfect character, viz. Rama, but the perfection of Rama is declared in the text itself.<\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\">When Ravana approaches Maricha in order to kidnap Sita, Ravana paints Rama in negative light, as somebody who is harming Rakshasas unjustly,in order to motivate Maricha. However Maricha, even though he was defeated by Rama during the sacrifice of Visvamitra many years earlier, replies praising Rama profusely and describes him as the embodiment of Dharma:<\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\">\u0930\u093e\u092e\u094b \u0935\u093f\u0917\u094d\u0930\u0939\u093f\u093e\u0928\u094d \u0927\u092e\u092e\u0903 \u0938\u093e\u0927 \u0903 \u0938\u0924\u094d\u092f\u092a\u0930\u093e\u0915\u094d\u0930\u092e\u0903\u0964 \u0930\u093e\u091c\u093e \u0938\u093f\u092e\u0938\u094d\u092f \u0932\u094b\u0915\u0938\u094d\u092f \u0926\u0947\u093f\u093e\u0928\u093e\u0935\u092e\u093f \u093f\u093e\u0938\u093f\u0903\u09653.37.13\u0965<\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\">Rama is Dharma personified. He is good, i.e. he is always keen to help others; his truthfulness is his valour. He is the king of all men, just like Indra is the king of gods.<\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\">It is remarkable that even enemies of Rama \u2013 in the case of Maricha, his brother Subahu and mother Tataka were killed by Rama \u2013 praise Rama, not in ordinary language but as embodiment of Dharma.<\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"font-size: 1em;text-align: initial\">In this module, this characterisation of Rama is examined in light of several incidents narrated in Ramayana. Rule by such an ideal king results in the ideal kingdom: Ramarajya, which is briefly touched upon next. This identification of Rama as Dharma personified has influenced Indian way of life and its literature for centuries; to illustrate this aspect, an example from later literature is given. As a prelude, first the nature of Dharma is examined followed by the portrayal of Rama as the ideal hero.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">2. Dharma<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Generally Dharma is not translated and is often cited as an example of a word than cannot be translated. Dictionaries list multiple meanings of the word. In the present context, the question then arises as to what Dharma is. Further, \u201cIs Rama the embodiment of a particular facet of Dharma, or all of it\u201d, one might wonder. Thus it becomes necessary to set out briefly what Dharma means.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Dharma is both what is upheld, and that which upholds. It is the set of principles which differentiates man from lower forms of life and which when followed by all leads to the maximum good of people. Many texts list the set of principles. For instance, the Arthasastra (1.3.13) lists Dharmas common to all, i.e. King and commoner, as Ahi\u1e43s\u0101 (non-violence), Satyam (truth), \u015aaucam (purity), Anas\u016bya (non-spitefulness), An\u1e5b\u015ba\u1e43sya (kindness) and K\u1e63am\u0101 (forbearance). The Yajnavalkyasmriti(1.122), lists Ahi\u1e43s\u0101 (non-violence), Satyam (truth), Asteyam (not stealing), \u015aaucam (purity), Indriyanigraha (control of sense organs), D\u0101na (giving away in charity), Dama (self-control), Day\u0101 (compassion), K\u1e63\u0101nti (forbearance) as the common Dharmas. Bhagavata (7.11.8) lists Satyam (truth), Day\u0101 (compassion), Tapa\u1e25(penance), \u015aaucam (purity) etc.(The Bhagavata lists 30 qualities, as part of a conversation between Yudhishthira and Narada). In fact there are entire books dedicated to enunciation of Dharma. This genre of books is called Dharmasastra. Another definition of Dharma is that of the Mimamsakas \u2013 \u092f\u093e\u0917\u093e\u0926\u0926\u0930\u0947\u093f \u0927\u092e\u092e\u0903, Sacrifice etc. only are Dharma. (Arthasa\u1e43graha, Para 2, Page 1).<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">The above give a glimpse of the wide connotation of the word. However what is common to all the above (and others not listed here) is that Veda is accepted as the source of Dharma. The Dharma which is to be found in Vedas is then explained in detail by later authors; the difference in the lists etc. are largely differences in detail and emphasis, rather than a fundamental difference. In that sense, the story of Rama is told to show what Dharma is.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">3.Rama, the Ideal Hero<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">In this section it is briefly established that the Ramayana seeks to portray Rama as the ideal hero. Ramayana starts with a dialogue between Narada and Valmiki wherein Valmiki asks the former to name the ideal person, listing sixteen desirable qualities so that he may narrate his story. The sixteen qualities are:<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"font-size: 1em;text-align: initial\">Excellent qualities, Valour, Knowledge of Dharma, Gratitude, Truthfulness, Unshakeable determination, Excellent conduct, Compassion towards all creatures, Knowledge, Capability to do great things, Pleasant appearance, Self-control, Control over anger, Lustrous brilliance, lack of envy, and Power which frightens even gods<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Narada tells Valmiki that Rama is person with the above qualities; then Valmiki proceeds to narrate the story of Rama. Thus Ramayana is the story of the perfect person. In fact, the message of Ramayana is traditionally summarised as \u201cOne ought to conduct oneself like Rama, and not like Ravana\u201d.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Though Rama is an incarnation of Vishnu, he conducts himself like a human being and does not invoke his divine powers, in contrast to the Avatara of Krishna. In the Ramayana, Rama is portrayed as the ideal son, brother, disciple, prince, husband, kingsman, warrior, friend, leader, king, father and human being. In short, to know Rama is to know Dharma. In other words, the question \u201cWhat would Sri Rama do in such a situation\u201d is the way to choose the right course of action, when one is in doubt.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4. Dharma as Seen in Various Incidents in Ramayana<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">The concept of Rama as embodiment of Dharma is best explored by examining various incidents in Ramayana and what they reveal about Dharma. This in fact is also the method of Ramayana in teaching Dharma. The incidents selected are:<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Killing of Tataka\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Giving up the kingdom\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Friendship with common people \u2013 of Ayodhya, Guha, Sabari, Jatayu etc. Killing of Rakshasas\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Killing of Vali\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Giving refuge to Vibhishana Performance of last rite\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Agnipariksha of Sita Sending Sita to Forest\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Expression of gratitude to Hanuman Sambukavadha<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong><span style=\"font-size: 1em;text-align: initial\">4.1 Killing of Tataka<\/span><\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">When young Rama, along with Lakshmana, goes with Visvamitra to protect his sacrifice, the demoness Tataka along with her sons Maricha and Subahu attacks them and Rama expresses a doubt \u201cis it alright to kill a woman?\u201d Normally, a chivalrous prince is not expected to attack a woman but the circumstances \u2013 Tataka, described as having the strength of a thousand elephants, gains strength at dusk, and poses a danger to the performance of the sacrifice \u2013 demand that Tataka be killed. Once this is clarified by Visvamitra, Rama kills the demoness. This shows that there are exceptions to general principles.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.2 Giving up the kingdom<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">This is one of the most important events in Ramayana. Since it is retold many times, the profundity of it might not be fully appreciated. Amongst Kshatriyas, kingdom is deemed to be a prize worth dying for. In fact once the boons sought by Kaikeyi are made known to all, Rama receives three advices \u2013 all in line with the Dharma of Kshatriyas:<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">a)Kill Dasaratha and capture the throne (Lakshamana\u2019s advice<\/span><\/p>\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">b)Imprison Dasaratha and capture the throne (Dasaratha\u2019s advice)<\/span><\/p>\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">c) Move to another place and start a new kingdom (Vasishtha\u2019s advice)<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Vasishtha\u2019s advice was not impractical. Before Kaikeyi states here wishes, Dasaratha tests the candidature of Rama by convening a grand assembly where he proposes the coronation of Rama as Yuvaraja and seeks the views of the assembly. Those present praise Rama profusely and demonstrate the popularity that Rama enjoys. Not merely the people, Rama had the full backing of his brothers as well as the later conduct of Bharata (condemns his mother Kaikeyi) and Satrughna (threatens to kill Manthara, but lets her go once Bharata reminds him that it is a sin to kill a woman) shows. Yet, Rama choses to uphold a S\u0101dhara\u1e47adharma, Dharma common to all, namely Satyam (truth) and walks away from the kingdom. This shows that when multiple options compliant with Dharma are available, one has to choose the highest Dharma.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.3 Friendship with common people \u2013 of Ayodhya, Guha, Sabari, Jatayu etc.<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Ramayana describes Rama as <\/span><em style=\"text-align: initial;font-size: 1em\">P\u016brvabh\u0101\u1e63\u012b<\/em><span style=\"text-align: initial;font-size: 1em\"> one who speaks first. It is often seen that when two people meet, the <\/span><em style=\"text-align: initial;font-size: 1em\">inferior<\/em><span style=\"text-align: initial;font-size: 1em\"> one is the first to wish. The inferiority could be in age and stature, such as a student wishing a teacher \u201cgood morning\u201d, a sub-ordinate greeting a boss, a common fan approaching and complimenting a famous person, or a soldier or royal servant saluting or bowing to a prince. Yet, in interactions with common people, it was Rama who spoke first, i.e. greeted people first. This endeared him to the people as evidenced by multiple incidents. During the assembly convened to discuss the proposal of Rama\u2019s coronation, commoners overwhelmingly back him. Rama warmly hugs the Nishada leader, Guha who offers all his resources to Rama if he so desires. Rama eats the Ucci\u1e63\u1e6da (i.e. food leftover after somebody eats part of it) of Sabari. Neither of these \u2013 hugging a commoner or eating the\u00a0<\/span><span style=\"font-size: 1em;text-align: initial\">leftovers of any other person \u2013 are befitting a prince, but Rama goes beyond the surface level customs and connects with commoners.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.4 Killing of Rakshasas in Dandakaranya<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">While roaming in the Dandakaranya forest, sages performing penances there complain to Rama about harassment by Rakshasas. Upon this, Rama agrees to fight the Rakshasas and protect the sages. Viewed from the point of view of Sita, while roaming in a forest infested with Rakshasas, it is not prudent to seek enmity with such a dangerous group. So she raises a point of Dharma, as to whether it is alright to pick up a fight with a group, when that group has not done any harm to one\u2019s own self. Then Rama clarifies that the Dharma of the representative of a king (Bharata) is to protect the good and pious people and continues his fight with Rakshasas.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.5 Killing of Vali<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">After being felled by Rama\u2019s arrow, Vali himself asks Rama whether it is Dharma for Rama to kill Vali without any cause and that too by hiding behind a tree. These questions, especially the latter one,are variously asked repeatedly by many \u2013 some due to genuine confusion and others with an intent to deliberately portray Rama and Ramayana in bad light. Of these two questions, the first one is the far more important one.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Rama\u2019s alliance with Sugriva is not a friendship of convenience. Sugriva has been deeply wronged by Vali when Vali chose to retain the wife of Sugriva and treat her as his own wife. This is precisely the kind of Adharma which if not checked will result in a chaotic world. Even though might is recognized as right, there are bounds to it. If Sugriva along with his wife were banished by Vali due to perceived harm done to Vali by Sugriva, that boundary would not have been caused. When such Adharma happens in a kingdom, it is the duty of the King, and hence his representative, to set it right. This is the reason Rama agreed to kill Vali; Rama says so in his reply to Vali.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Regarding the second question posed by Vali, Rama\u2019s answer is that it is permissible to kill an animal while hiding behind a tree. Here the accusations of Vali and the reply of Rama are both conducted explicitly in the framework of Dharma and Vali is satisfied with the answers of Rama.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.6 Giving refuge to Vibhishana<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">When Vibhishana seeks refuge, Rama consults his advisors, as is the custom. All of them counsel Rama that this could be ploy by the enemy to infiltrate Rama\u2019s camp and caution against granting refuge to Vibhishana. This caution is indeed very sound. Yet, Rama raises above such prudence and decides to offer \u015aara\u1e47\u0101gati to Vibhishana, thereby setting an example to the world of ideal behaviour: the truly valorous warrior has the strength required to grant refuge to the enemy who seeks it.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.7 Performance of last rites<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">After the war is over and Ravana is killed, Vibhishana mourns his brother and seeks Rama\u2019s permission to perform the last rites. One can very well imagine the state of Rama\u2019s mind. The slain man Ravana had abducted his wife and caused so much of misery, violence and death. Rama\u2019s reply in such a situation is worth reproducing:<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">\u092e\u0930\u0923\u093e\u0928\u094d\u0924\u093e\u0935\u0928 \u093f\u0948\u0930\u093e\u0935\u0923\u0935\u0928\u093f\u0935\u092e\u0924\u094d\u0924\u0902\u0928\u0903 \u092a\u094d\u0930\u092f\u094b\u091c\u0928\u092e\u094d\u0964\u0926\u0915\u094d\u0930\u092f\u0924\u093e\u092e\u0938\u094d\u092f \u0938\u0902\u0938\u094d\u0915\u093e\u0930\u094b\u092e\u092e\u093e\u092a\u094d\u092f\u0947\u0937\u092f\u0925\u093e \u0924\u093f \u09656.3.100\u0965<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Enmity ends with death. Our purpose has been achieved. Now he is to me, as he is to you. His [last] rites may be performed.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Rama\u2019s performance of last rites to Jatayu and his advice to Vibhishana highlight the importance of performing the Antyeshti rite, last of the sixteen Sanskaras prescribed in the San\u0101tana Dharma.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.8 Agnipariksha of Sita<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">After the war, when it is time for Sita to reunite with Rama, the question hangs in the air: Sita has been in Ravana\u2019s custody for twelve long months, was she violated by Ravana? If yes, as must likely be in such a situation, can Rama accept her back? Whether people give voice to such a question or not in front of Rama, such a question is bound to rise in private. So, though Rama himself was clear that Sita was blemishless, he asked Sita to literally pass through fire to demonstrate her purity. This is all the more important given that Rama was a prince and he had to set an example for others to follow.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.9 Sending Sita to Forest<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Once Rama became king, this burden of setting an example increased even more. It is said that Dharma is putting family before one\u2019s self, the village before one\u2019s family, and the kingdom before one\u2019s village. It is the greater good which has to prevail. A King or a Government achieves a stable law and order through deterrence, and not by 100% active prevention of crimes. In other words, rather than spy on every prospective thief and stopping him from thievery, the State imposes such punishment on thievery that there is a deterrence for the prospective thief. Similarly, Dharma prevails in a kingdom when the King is perceived to be strong. If any weakness is perceived, many would become adventurous and try breaking Dharma. If the perception were wrong, and the King is truly strong, still catching all those violators and punishing them is a task by itself. Thus it is important for the King to be seen as acting strongly. The combination of these two factors \u2013 to act swiftly and strongly and to put the welfare of the kingdom before his own \u2013 led Rama to sacrifice his domestic bliss and Sita was his partner, as in every other facet of life.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.10 Expression of gratitude to Hanuman<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">In Sundarakanda after Hanuman brings the news that Sita was found, Rama hugs Hanuman warmly as a token of gratitude, for there is nothing warmer that Rama could give at that\u00a0<\/span><span style=\"font-size: 1em;text-align: initial\">moment. The poet Valmiki makes this a very emotional moment. A similar sentiment is repeated in the Uttarakanda, where Rama states:<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">\u090f\u0915\u0948 \u0915\u0938\u094d\u092f\u094b\u092a\u0915\u093e\u0930\u0938\u094d\u092f\u092a\u094d\u0930\u093e\u0923\u093e\u0928\u094d\u0926\u093e\u0938\u094d\u092f\u093e\u0935\u092e \u0924\u0947\u0915\u092a\u0947\u0964<\/span><\/p>\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">\u0936\u0947\u0937\u0938\u094d\u092f\u0947\u0939\u094b\u092a\u0915\u093e\u0930\u093e\u0923\u093e\u0902\u092d\u093f\u093e\u092e \u090b\u0935\u0923\u0928\u094b \u093f\u092f\u092e\u094d\u09657.40.23\u0965<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">O Monkey, for each act of help done by you, I shall give you my life. For the remaining, we shall remain indebted, i.e. your service can never be repaid in full<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">These two incidents show the humility and Kritajnat\u0101 (the quality of recognizing a favour done) of Rama.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.11 Sambukavadha<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">In the Uttarakanda, the incident of Sambuka is narrated. A \u015a\u016bdra, Sambuka, performs penance against the Yugadharma (Dharma pertaining to the eon of Ramayana, i.e. Tretayuga) which permits only Br\u0101hma\u1e47as and K\u1e63atriyas to perform penance. Due to this violation, there is an untimely death of a Brahmin boy, whose father seeks justice. The council of Rama realizes that the untimely death of the boy is due to the violation of Dharma and explains the same to Rama, upon which Rama personally goes to the place where Sambuka is performing the penance and kills Sambuka.<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Sambuka has not harmed anybody and yet he is killed by Rama. This is discharge of Rama\u2019s duty as a protector of Dharma. It may be noted that this principle was valid only in Tretayuga, and is not valid presently. In fact in the same episode where this Yugadharma is explained, it is said that during Kaliyuga, the present eon, \u015a\u016bdras would reign supreme<\/span><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">5. Ramarajya<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Rama is the ideal person; then, Rama\u2019s rule has to be the ideal rule. In India, Ramarajya denotes the perfect state of affairs and was invoked by Mahatma Gandhi during the struggle for independence. When the King is just, everybody follows their Dharma and natural calamities, unnatural deaths etc. do not occur. The first Sarga of Balakanda (1.1.90 -94) describes Ramarajya thus:<\/span><\/p>\r\n\r\n<\/div>\r\n<div>\r\n<ul>\r\n \t<li style=\"text-align: justify\">People were happy, strong and followed Dharma. There were no diseases or sufferings; nor was there fear or famine<\/li>\r\n \t<li style=\"text-align: justify\">No men witnessed the death of their son, nor women of their husbands<\/li>\r\n \t<li style=\"text-align: justify\">There was no fear from fire, water, storms, disease, hunger or theft<\/li>\r\n \t<li style=\"text-align: justify\">The cities and countryside were with wealth and food; all were happy as if they lived in the Kritayuga<\/li>\r\n<\/ul>\r\n<\/div>\r\n<p style=\"text-align: justify\">The last sarga (128) of Yuddhakanda repeats the above. This is what results when the King follows Dharma.<\/p>\r\n\r\n<ol start=\"6\">\r\n \t<li style=\"text-align: justify\"><strong> Example from Later Literature<\/strong><\/li>\r\n<\/ol>\r\n<p style=\"text-align: justify\">\u00a0 \u00a0Rama\u2019s life inspired later poets who retold the story hundreds of times. Rama continued to be Vigrahavaan Dharamah for these poets as well. One example, from the Camp\u016br\u0101m\u0101ya\u1e47a of King Bhoja shows how deeply ingrained this concept became. When Rama first meets Kaikeyi after knowing the boons she asked for, he addresses her thus:<\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\">\u093f\u0928\u092d \u0935\u093f\u0924\u0928 \u092e\u093e\u0924\u094d\u0930\u0924\u094d\u0930\u093e\u0923\u092e\u093e\u091c\u094d\u091e\u093e\u0935\u092a\u0924\u0902\u092e\u0947\u0938\u0915\u0932\u092d \u093f\u0928\u092d\u0930\u0903\u0938\u094d\u0925\u093e\u0935\u092a\u0924\u094b \u093f\u0924\u094d\u0938\u092e\u0942\u0930\u094d\u0927\u094d\u0928\u092e\u0964 \u0924\u0926\u0926\u0939 \u0938 \u0915\u0930\u0924\u093e\u092f\u093e\u092e\u093e\u093f\u092f\u094b\u0938\u094d\u0924\u0930\u094d\u0915\u092e \u0924\u093e\u092f\u093e\u0902\u092e\u0935\u092f \u092a\u0924\u0935\u0924 \u0917\u0930\u0940\u092f\u093e\u0928\u092e\u094d\u092c \u0924\u0947\u092a\u0915\u094d\u0937\u092a\u093e\u0924\u0903 \u09652.25\u0965<\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\">Only the protection of my body in the forest was ordered for me, but on the head of the dear lad (Bharata) the burden of protection of the entire world has been placed. If we look at the tasks allocated to the two of us, O Mother, you have unduly favoured me.<\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\">For a Kshatriya, kingdom is a responsibility, not something that is to be enjoyed. This aspect has been beautifully brought forth by Bhoja, himself a King. The above words would have been acidly sarcastic if uttered by any other character, but the identification of Rama with Dharma is so entrenched that these are taken at face value.<\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\"><strong style=\"font-size: 1em\">Summary<\/strong><\/p>\r\n&nbsp;\r\n<p style=\"text-align: justify\">Thus we see that Rama is the ideal son, student, prince, friend, brother, husband, leader, warrior and king. Rama followed and enforced Dharma; he sacrificed his personal pleasure for the sake of Satyam, and his family for the sake of order in the kingdom. Indeed it is rightly said that Rama is Dharma embodied.<\/p>\r\n&nbsp;\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><strong>you can view video on R\u0101mo Vigrahav\u0101n Dharma\u1e25 <\/strong><\/td>\r\n<td><a href=\"https:\/\/youtu.be\/HndrwhS6qNY\" target=\"_blank\" rel=\"noopener\"><img class=\"alignnone wp-image-120\" src=\"http:\/\/epgpbooks.inflibnet.ac.in\/wp-content\/uploads\/2018\/11\/download.png\" alt=\"\" width=\"36\" height=\"36\" \/><\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n&nbsp;\r\n\r\n<strong>Web links<\/strong>\r\n<ul>\r\n \t<li style=\"text-align: justify\"><a href=\"https:\/\/www.valmiki.iitk.ac.in\/\">https:\/\/www.valmiki.iitk.ac.in\/ <\/a>is the most comprehensive resource on Ramayana available on the internet. It has audio recordings of the Slokas, the original text and six commentaries in Sanskrit and English translation, and summaries of the seven Kandas<\/li>\r\n \t<li style=\"text-align: justify\"><a href=\"http:\/\/bombay.indology.info\/ramayana\/welcome.html\">http:\/\/bombay.indology.info\/ramayana\/welcome.html, <\/a>the website of Prof. John Smith,contains the bare text of the Critical Edition of Ramayana in Roman and Devanagari<\/li>\r\n \t<li style=\"text-align: justify\"><a href=\"https:\/\/archive.org\/details\/Bhagavata_with_Sridhari_Tika_Ramtej_Pandey_1949_PanditPustakalay\">https:\/\/archive.org\/details\/Bhagavata_with_Sridhari_Tika_Ramtej_Pandey_1949_PanditPustakalay<\/a> contains the BhagavataPurana with the commentary of Sridhara in Sanskrit.<\/li>\r\n \t<li style=\"text-align: justify\"><a href=\"http:\/\/www.mahavirmandirpatna.org\/Rama%20is%20the%20embodiment%20of%20Dharma.html\">http:\/\/www.mahavirmandirpatna.org\/Rama%20is%20the%20embodiment%20of%20Dharma.html<\/a>is a very good blog giving a traditional view-point.<\/li>\r\n<\/ul>\r\n&nbsp;\r\n\r\n<strong>Bibliography<\/strong>\r\n\r\n&nbsp;\r\n<ul>\r\n \t<li style=\"text-align: justify\"><em>Arthasa\u1e43graha<\/em>. See Thibaut G. below.<\/li>\r\n \t<li style=\"text-align: justify\">Arthasastra. See Kangle below.<\/li>\r\n \t<li style=\"text-align: justify\">Bhoja, <em>Champ\u016b-R\u0101m\u0101ya\u1e47a<\/em>. Bombay: NirnayaSagar Press, 1898.<\/li>\r\n \t<li style=\"text-align: justify\">Kangle, R P. <em>KautiliyaArthasastra. 3 Pt. Pt 1. Sanskrit Text with Glossary Pt 2. English<\/em> <em>Translation with Critical and Explanatory Notes Pt 3. Study<\/em>. Delhi: MotilalBanarsidass, 2000.<\/li>\r\n \t<li style=\"text-align: justify\"><em>Ramayana of Valmiki with Three Commentaries<\/em>. Bombay: New Gujarati Press, 1912.<\/li>\r\n \t<li style=\"text-align: justify\">Setlur, S. S., ed. <em>The Mit\u0101kshara with Visvar\u016bpa and Commentaries of Subodhini and<\/em> <em>B\u0101lambhatti<\/em>. Madras: The Brahmavadin Press, 1912. (The Mitakshara is a famous commentary on the Yajnavalkyasmriti).<\/li>\r\n \t<li style=\"text-align: justify\">\u015ar\u012bmadbh\u0101gavata-\u015br\u012bdhar\u012b (Bh\u0101v\u0101rthad\u012bpik\u0101). Ed., PandeyaRamatejaShakhi. Banaras:<\/li>\r\n \t<li style=\"text-align: justify\">PanditPustakalaya, 1949.<\/li>\r\n \t<li style=\"text-align: justify\">Thibaut G., Editor and Translator. <em>The Arthasa\u1e43graha: An Elementary Treatise on M\u012bm\u0101\u1e43s\u0101\u00a0<\/em><em>by Laug\u0101kshiBh\u0101skara. <\/em>Benares: Braj B. Das &amp; Co., 1882.<\/li>\r\n \t<li style=\"text-align: justify\"><em>Yajnavalkyasmriti<\/em>. See Setlur, S. S. above.<\/li>\r\n<\/ul>","rendered":"<div><span style=\"float: right\"><a href=\"https:\/\/youtu.be\/HndrwhS6qNY\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"http:\/\/epgpbooks.inflibnet.ac.in\/wp-content\/uploads\/2018\/11\/download.png\" alt=\"epgp books\" width=\"75px\" height=\"75px;\" \/><\/a><br \/>\n<\/span><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div>\n<p style=\"text-align: justify\"><strong>1. Introduction<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">To understand the culture during the epic period, we study the character in epics with the hope that this reflects to some extent the behaviour of people during that time as well. However since epics are also literature, most characters have sharp edges or have some flaw or the other, or some unique feature. One does not know whether these are the unique traits of the character or a sign of the times. If there were a perfect character in epics, it would be very useful such a character would represent the ideal of the age. In Ramayana, not only do we have such a perfect character, viz. Rama, but the perfection of Rama is declared in the text itself.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">When Ravana approaches Maricha in order to kidnap Sita, Ravana paints Rama in negative light, as somebody who is harming Rakshasas unjustly,in order to motivate Maricha. However Maricha, even though he was defeated by Rama during the sacrifice of Visvamitra many years earlier, replies praising Rama profusely and describes him as the embodiment of Dharma:<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">\u0930\u093e\u092e\u094b \u0935\u093f\u0917\u094d\u0930\u0939\u093f\u093e\u0928\u094d \u0927\u092e\u092e\u0903 \u0938\u093e\u0927 \u0903 \u0938\u0924\u094d\u092f\u092a\u0930\u093e\u0915\u094d\u0930\u092e\u0903\u0964 \u0930\u093e\u091c\u093e \u0938\u093f\u092e\u0938\u094d\u092f \u0932\u094b\u0915\u0938\u094d\u092f \u0926\u0947\u093f\u093e\u0928\u093e\u0935\u092e\u093f \u093f\u093e\u0938\u093f\u0903\u09653.37.13\u0965<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">Rama is Dharma personified. He is good, i.e. he is always keen to help others; his truthfulness is his valour. He is the king of all men, just like Indra is the king of gods.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">It is remarkable that even enemies of Rama \u2013 in the case of Maricha, his brother Subahu and mother Tataka were killed by Rama \u2013 praise Rama, not in ordinary language but as embodiment of Dharma.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: 1em;text-align: initial\">In this module, this characterisation of Rama is examined in light of several incidents narrated in Ramayana. Rule by such an ideal king results in the ideal kingdom: Ramarajya, which is briefly touched upon next. This identification of Rama as Dharma personified has influenced Indian way of life and its literature for centuries; to illustrate this aspect, an example from later literature is given. As a prelude, first the nature of Dharma is examined followed by the portrayal of Rama as the ideal hero.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">2. Dharma<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Generally Dharma is not translated and is often cited as an example of a word than cannot be translated. Dictionaries list multiple meanings of the word. In the present context, the question then arises as to what Dharma is. Further, \u201cIs Rama the embodiment of a particular facet of Dharma, or all of it\u201d, one might wonder. Thus it becomes necessary to set out briefly what Dharma means.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Dharma is both what is upheld, and that which upholds. It is the set of principles which differentiates man from lower forms of life and which when followed by all leads to the maximum good of people. Many texts list the set of principles. For instance, the Arthasastra (1.3.13) lists Dharmas common to all, i.e. King and commoner, as Ahi\u1e43s\u0101 (non-violence), Satyam (truth), \u015aaucam (purity), Anas\u016bya (non-spitefulness), An\u1e5b\u015ba\u1e43sya (kindness) and K\u1e63am\u0101 (forbearance). The Yajnavalkyasmriti(1.122), lists Ahi\u1e43s\u0101 (non-violence), Satyam (truth), Asteyam (not stealing), \u015aaucam (purity), Indriyanigraha (control of sense organs), D\u0101na (giving away in charity), Dama (self-control), Day\u0101 (compassion), K\u1e63\u0101nti (forbearance) as the common Dharmas. Bhagavata (7.11.8) lists Satyam (truth), Day\u0101 (compassion), Tapa\u1e25(penance), \u015aaucam (purity) etc.(The Bhagavata lists 30 qualities, as part of a conversation between Yudhishthira and Narada). In fact there are entire books dedicated to enunciation of Dharma. This genre of books is called Dharmasastra. Another definition of Dharma is that of the Mimamsakas \u2013 \u092f\u093e\u0917\u093e\u0926\u0926\u0930\u0947\u093f \u0927\u092e\u092e\u0903, Sacrifice etc. only are Dharma. (Arthasa\u1e43graha, Para 2, Page 1).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">The above give a glimpse of the wide connotation of the word. However what is common to all the above (and others not listed here) is that Veda is accepted as the source of Dharma. The Dharma which is to be found in Vedas is then explained in detail by later authors; the difference in the lists etc. are largely differences in detail and emphasis, rather than a fundamental difference. In that sense, the story of Rama is told to show what Dharma is.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">3.Rama, the Ideal Hero<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">In this section it is briefly established that the Ramayana seeks to portray Rama as the ideal hero. Ramayana starts with a dialogue between Narada and Valmiki wherein Valmiki asks the former to name the ideal person, listing sixteen desirable qualities so that he may narrate his story. The sixteen qualities are:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: 1em;text-align: initial\">Excellent qualities, Valour, Knowledge of Dharma, Gratitude, Truthfulness, Unshakeable determination, Excellent conduct, Compassion towards all creatures, Knowledge, Capability to do great things, Pleasant appearance, Self-control, Control over anger, Lustrous brilliance, lack of envy, and Power which frightens even gods<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Narada tells Valmiki that Rama is person with the above qualities; then Valmiki proceeds to narrate the story of Rama. Thus Ramayana is the story of the perfect person. In fact, the message of Ramayana is traditionally summarised as \u201cOne ought to conduct oneself like Rama, and not like Ravana\u201d.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Though Rama is an incarnation of Vishnu, he conducts himself like a human being and does not invoke his divine powers, in contrast to the Avatara of Krishna. In the Ramayana, Rama is portrayed as the ideal son, brother, disciple, prince, husband, kingsman, warrior, friend, leader, king, father and human being. In short, to know Rama is to know Dharma. In other words, the question \u201cWhat would Sri Rama do in such a situation\u201d is the way to choose the right course of action, when one is in doubt.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4. Dharma as Seen in Various Incidents in Ramayana<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">The concept of Rama as embodiment of Dharma is best explored by examining various incidents in Ramayana and what they reveal about Dharma. This in fact is also the method of Ramayana in teaching Dharma. The incidents selected are:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Killing of Tataka\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Giving up the kingdom\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Friendship with common people \u2013 of Ayodhya, Guha, Sabari, Jatayu etc. Killing of Rakshasas\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Killing of Vali\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Giving refuge to Vibhishana Performance of last rite\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Agnipariksha of Sita Sending Sita to Forest\u00a0<\/span><span style=\"text-align: initial;font-size: 1em\">Expression of gratitude to Hanuman Sambukavadha<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong><span style=\"font-size: 1em;text-align: initial\">4.1 Killing of Tataka<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">When young Rama, along with Lakshmana, goes with Visvamitra to protect his sacrifice, the demoness Tataka along with her sons Maricha and Subahu attacks them and Rama expresses a doubt \u201cis it alright to kill a woman?\u201d Normally, a chivalrous prince is not expected to attack a woman but the circumstances \u2013 Tataka, described as having the strength of a thousand elephants, gains strength at dusk, and poses a danger to the performance of the sacrifice \u2013 demand that Tataka be killed. Once this is clarified by Visvamitra, Rama kills the demoness. This shows that there are exceptions to general principles.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.2 Giving up the kingdom<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">This is one of the most important events in Ramayana. Since it is retold many times, the profundity of it might not be fully appreciated. Amongst Kshatriyas, kingdom is deemed to be a prize worth dying for. In fact once the boons sought by Kaikeyi are made known to all, Rama receives three advices \u2013 all in line with the Dharma of Kshatriyas:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">a)Kill Dasaratha and capture the throne (Lakshamana\u2019s advice<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">b)Imprison Dasaratha and capture the throne (Dasaratha\u2019s advice)<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">c) Move to another place and start a new kingdom (Vasishtha\u2019s advice)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Vasishtha\u2019s advice was not impractical. Before Kaikeyi states here wishes, Dasaratha tests the candidature of Rama by convening a grand assembly where he proposes the coronation of Rama as Yuvaraja and seeks the views of the assembly. Those present praise Rama profusely and demonstrate the popularity that Rama enjoys. Not merely the people, Rama had the full backing of his brothers as well as the later conduct of Bharata (condemns his mother Kaikeyi) and Satrughna (threatens to kill Manthara, but lets her go once Bharata reminds him that it is a sin to kill a woman) shows. Yet, Rama choses to uphold a S\u0101dhara\u1e47adharma, Dharma common to all, namely Satyam (truth) and walks away from the kingdom. This shows that when multiple options compliant with Dharma are available, one has to choose the highest Dharma.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.3 Friendship with common people \u2013 of Ayodhya, Guha, Sabari, Jatayu etc.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Ramayana describes Rama as <\/span><em style=\"text-align: initial;font-size: 1em\">P\u016brvabh\u0101\u1e63\u012b<\/em><span style=\"text-align: initial;font-size: 1em\"> one who speaks first. It is often seen that when two people meet, the <\/span><em style=\"text-align: initial;font-size: 1em\">inferior<\/em><span style=\"text-align: initial;font-size: 1em\"> one is the first to wish. The inferiority could be in age and stature, such as a student wishing a teacher \u201cgood morning\u201d, a sub-ordinate greeting a boss, a common fan approaching and complimenting a famous person, or a soldier or royal servant saluting or bowing to a prince. Yet, in interactions with common people, it was Rama who spoke first, i.e. greeted people first. This endeared him to the people as evidenced by multiple incidents. During the assembly convened to discuss the proposal of Rama\u2019s coronation, commoners overwhelmingly back him. Rama warmly hugs the Nishada leader, Guha who offers all his resources to Rama if he so desires. Rama eats the Ucci\u1e63\u1e6da (i.e. food leftover after somebody eats part of it) of Sabari. Neither of these \u2013 hugging a commoner or eating the\u00a0<\/span><span style=\"font-size: 1em;text-align: initial\">leftovers of any other person \u2013 are befitting a prince, but Rama goes beyond the surface level customs and connects with commoners.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.4 Killing of Rakshasas in Dandakaranya<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">While roaming in the Dandakaranya forest, sages performing penances there complain to Rama about harassment by Rakshasas. Upon this, Rama agrees to fight the Rakshasas and protect the sages. Viewed from the point of view of Sita, while roaming in a forest infested with Rakshasas, it is not prudent to seek enmity with such a dangerous group. So she raises a point of Dharma, as to whether it is alright to pick up a fight with a group, when that group has not done any harm to one\u2019s own self. Then Rama clarifies that the Dharma of the representative of a king (Bharata) is to protect the good and pious people and continues his fight with Rakshasas.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.5 Killing of Vali<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">After being felled by Rama\u2019s arrow, Vali himself asks Rama whether it is Dharma for Rama to kill Vali without any cause and that too by hiding behind a tree. These questions, especially the latter one,are variously asked repeatedly by many \u2013 some due to genuine confusion and others with an intent to deliberately portray Rama and Ramayana in bad light. Of these two questions, the first one is the far more important one.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Rama\u2019s alliance with Sugriva is not a friendship of convenience. Sugriva has been deeply wronged by Vali when Vali chose to retain the wife of Sugriva and treat her as his own wife. This is precisely the kind of Adharma which if not checked will result in a chaotic world. Even though might is recognized as right, there are bounds to it. If Sugriva along with his wife were banished by Vali due to perceived harm done to Vali by Sugriva, that boundary would not have been caused. When such Adharma happens in a kingdom, it is the duty of the King, and hence his representative, to set it right. This is the reason Rama agreed to kill Vali; Rama says so in his reply to Vali.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Regarding the second question posed by Vali, Rama\u2019s answer is that it is permissible to kill an animal while hiding behind a tree. Here the accusations of Vali and the reply of Rama are both conducted explicitly in the framework of Dharma and Vali is satisfied with the answers of Rama.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.6 Giving refuge to Vibhishana<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">When Vibhishana seeks refuge, Rama consults his advisors, as is the custom. All of them counsel Rama that this could be ploy by the enemy to infiltrate Rama\u2019s camp and caution against granting refuge to Vibhishana. This caution is indeed very sound. Yet, Rama raises above such prudence and decides to offer \u015aara\u1e47\u0101gati to Vibhishana, thereby setting an example to the world of ideal behaviour: the truly valorous warrior has the strength required to grant refuge to the enemy who seeks it.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.7 Performance of last rites<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">After the war is over and Ravana is killed, Vibhishana mourns his brother and seeks Rama\u2019s permission to perform the last rites. One can very well imagine the state of Rama\u2019s mind. The slain man Ravana had abducted his wife and caused so much of misery, violence and death. Rama\u2019s reply in such a situation is worth reproducing:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">\u092e\u0930\u0923\u093e\u0928\u094d\u0924\u093e\u0935\u0928 \u093f\u0948\u0930\u093e\u0935\u0923\u0935\u0928\u093f\u0935\u092e\u0924\u094d\u0924\u0902\u0928\u0903 \u092a\u094d\u0930\u092f\u094b\u091c\u0928\u092e\u094d\u0964\u0926\u0915\u094d\u0930\u092f\u0924\u093e\u092e\u0938\u094d\u092f \u0938\u0902\u0938\u094d\u0915\u093e\u0930\u094b\u092e\u092e\u093e\u092a\u094d\u092f\u0947\u0937\u092f\u0925\u093e \u0924\u093f \u09656.3.100\u0965<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Enmity ends with death. Our purpose has been achieved. Now he is to me, as he is to you. His [last] rites may be performed.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Rama\u2019s performance of last rites to Jatayu and his advice to Vibhishana highlight the importance of performing the Antyeshti rite, last of the sixteen Sanskaras prescribed in the San\u0101tana Dharma.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.8 Agnipariksha of Sita<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">After the war, when it is time for Sita to reunite with Rama, the question hangs in the air: Sita has been in Ravana\u2019s custody for twelve long months, was she violated by Ravana? If yes, as must likely be in such a situation, can Rama accept her back? Whether people give voice to such a question or not in front of Rama, such a question is bound to rise in private. So, though Rama himself was clear that Sita was blemishless, he asked Sita to literally pass through fire to demonstrate her purity. This is all the more important given that Rama was a prince and he had to set an example for others to follow.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.9 Sending Sita to Forest<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Once Rama became king, this burden of setting an example increased even more. It is said that Dharma is putting family before one\u2019s self, the village before one\u2019s family, and the kingdom before one\u2019s village. It is the greater good which has to prevail. A King or a Government achieves a stable law and order through deterrence, and not by 100% active prevention of crimes. In other words, rather than spy on every prospective thief and stopping him from thievery, the State imposes such punishment on thievery that there is a deterrence for the prospective thief. Similarly, Dharma prevails in a kingdom when the King is perceived to be strong. If any weakness is perceived, many would become adventurous and try breaking Dharma. If the perception were wrong, and the King is truly strong, still catching all those violators and punishing them is a task by itself. Thus it is important for the King to be seen as acting strongly. The combination of these two factors \u2013 to act swiftly and strongly and to put the welfare of the kingdom before his own \u2013 led Rama to sacrifice his domestic bliss and Sita was his partner, as in every other facet of life.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.10 Expression of gratitude to Hanuman<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">In Sundarakanda after Hanuman brings the news that Sita was found, Rama hugs Hanuman warmly as a token of gratitude, for there is nothing warmer that Rama could give at that\u00a0<\/span><span style=\"font-size: 1em;text-align: initial\">moment. The poet Valmiki makes this a very emotional moment. A similar sentiment is repeated in the Uttarakanda, where Rama states:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">\u090f\u0915\u0948 \u0915\u0938\u094d\u092f\u094b\u092a\u0915\u093e\u0930\u0938\u094d\u092f\u092a\u094d\u0930\u093e\u0923\u093e\u0928\u094d\u0926\u093e\u0938\u094d\u092f\u093e\u0935\u092e \u0924\u0947\u0915\u092a\u0947\u0964<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">\u0936\u0947\u0937\u0938\u094d\u092f\u0947\u0939\u094b\u092a\u0915\u093e\u0930\u093e\u0923\u093e\u0902\u092d\u093f\u093e\u092e \u090b\u0935\u0923\u0928\u094b \u093f\u092f\u092e\u094d\u09657.40.23\u0965<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">O Monkey, for each act of help done by you, I shall give you my life. For the remaining, we shall remain indebted, i.e. your service can never be repaid in full<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">These two incidents show the humility and Kritajnat\u0101 (the quality of recognizing a favour done) of Rama.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">4.11 Sambukavadha<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">In the Uttarakanda, the incident of Sambuka is narrated. A \u015a\u016bdra, Sambuka, performs penance against the Yugadharma (Dharma pertaining to the eon of Ramayana, i.e. Tretayuga) which permits only Br\u0101hma\u1e47as and K\u1e63atriyas to perform penance. Due to this violation, there is an untimely death of a Brahmin boy, whose father seeks justice. The council of Rama realizes that the untimely death of the boy is due to the violation of Dharma and explains the same to Rama, upon which Rama personally goes to the place where Sambuka is performing the penance and kills Sambuka.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Sambuka has not harmed anybody and yet he is killed by Rama. This is discharge of Rama\u2019s duty as a protector of Dharma. It may be noted that this principle was valid only in Tretayuga, and is not valid presently. In fact in the same episode where this Yugadharma is explained, it is said that during Kaliyuga, the present eon, \u015a\u016bdras would reign supreme<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"text-align: initial;font-size: 1em\">5. Ramarajya<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><span style=\"text-align: initial;font-size: 1em\">Rama is the ideal person; then, Rama\u2019s rule has to be the ideal rule. In India, Ramarajya denotes the perfect state of affairs and was invoked by Mahatma Gandhi during the struggle for independence. When the King is just, everybody follows their Dharma and natural calamities, unnatural deaths etc. do not occur. The first Sarga of Balakanda (1.1.90 -94) describes Ramarajya thus:<\/span><\/p>\n<\/div>\n<div>\n<ul>\n<li style=\"text-align: justify\">People were happy, strong and followed Dharma. There were no diseases or sufferings; nor was there fear or famine<\/li>\n<li style=\"text-align: justify\">No men witnessed the death of their son, nor women of their husbands<\/li>\n<li style=\"text-align: justify\">There was no fear from fire, water, storms, disease, hunger or theft<\/li>\n<li style=\"text-align: justify\">The cities and countryside were with wealth and food; all were happy as if they lived in the Kritayuga<\/li>\n<\/ul>\n<\/div>\n<p style=\"text-align: justify\">The last sarga (128) of Yuddhakanda repeats the above. This is what results when the King follows Dharma.<\/p>\n<ol start=\"6\">\n<li style=\"text-align: justify\"><strong> Example from Later Literature<\/strong><\/li>\n<\/ol>\n<p style=\"text-align: justify\">\u00a0 \u00a0Rama\u2019s life inspired later poets who retold the story hundreds of times. Rama continued to be Vigrahavaan Dharamah for these poets as well. One example, from the Camp\u016br\u0101m\u0101ya\u1e47a of King Bhoja shows how deeply ingrained this concept became. When Rama first meets Kaikeyi after knowing the boons she asked for, he addresses her thus:<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">\u093f\u0928\u092d \u0935\u093f\u0924\u0928 \u092e\u093e\u0924\u094d\u0930\u0924\u094d\u0930\u093e\u0923\u092e\u093e\u091c\u094d\u091e\u093e\u0935\u092a\u0924\u0902\u092e\u0947\u0938\u0915\u0932\u092d \u093f\u0928\u092d\u0930\u0903\u0938\u094d\u0925\u093e\u0935\u092a\u0924\u094b \u093f\u0924\u094d\u0938\u092e\u0942\u0930\u094d\u0927\u094d\u0928\u092e\u0964 \u0924\u0926\u0926\u0939 \u0938 \u0915\u0930\u0924\u093e\u092f\u093e\u092e\u093e\u093f\u092f\u094b\u0938\u094d\u0924\u0930\u094d\u0915\u092e \u0924\u093e\u092f\u093e\u0902\u092e\u0935\u092f \u092a\u0924\u0935\u0924 \u0917\u0930\u0940\u092f\u093e\u0928\u092e\u094d\u092c \u0924\u0947\u092a\u0915\u094d\u0937\u092a\u093e\u0924\u0903 \u09652.25\u0965<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">Only the protection of my body in the forest was ordered for me, but on the head of the dear lad (Bharata) the burden of protection of the entire world has been placed. If we look at the tasks allocated to the two of us, O Mother, you have unduly favoured me.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">For a Kshatriya, kingdom is a responsibility, not something that is to be enjoyed. This aspect has been beautifully brought forth by Bhoja, himself a King. The above words would have been acidly sarcastic if uttered by any other character, but the identification of Rama with Dharma is so entrenched that these are taken at face value.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\"><strong style=\"font-size: 1em\">Summary<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">Thus we see that Rama is the ideal son, student, prince, friend, brother, husband, leader, warrior and king. Rama followed and enforced Dharma; he sacrificed his personal pleasure for the sake of Satyam, and his family for the sake of order in the kingdom. Indeed it is rightly said that Rama is Dharma embodied.<\/p>\n<p>&nbsp;<\/p>\n<table>\n<tbody>\n<tr>\n<td><strong>you can view video on R\u0101mo Vigrahav\u0101n Dharma\u1e25 <\/strong><\/td>\n<td><a href=\"https:\/\/youtu.be\/HndrwhS6qNY\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-120\" src=\"http:\/\/epgpbooks.inflibnet.ac.in\/wp-content\/uploads\/2018\/11\/download.png\" alt=\"\" width=\"36\" height=\"36\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><strong>Web links<\/strong><\/p>\n<ul>\n<li style=\"text-align: justify\"><a href=\"https:\/\/www.valmiki.iitk.ac.in\/\">https:\/\/www.valmiki.iitk.ac.in\/ <\/a>is the most comprehensive resource on Ramayana available on the internet. It has audio recordings of the Slokas, the original text and six commentaries in Sanskrit and English translation, and summaries of the seven Kandas<\/li>\n<li style=\"text-align: justify\"><a href=\"http:\/\/bombay.indology.info\/ramayana\/welcome.html\">http:\/\/bombay.indology.info\/ramayana\/welcome.html, <\/a>the website of Prof. John Smith,contains the bare text of the Critical Edition of Ramayana in Roman and Devanagari<\/li>\n<li style=\"text-align: justify\"><a href=\"https:\/\/archive.org\/details\/Bhagavata_with_Sridhari_Tika_Ramtej_Pandey_1949_PanditPustakalay\">https:\/\/archive.org\/details\/Bhagavata_with_Sridhari_Tika_Ramtej_Pandey_1949_PanditPustakalay<\/a> contains the BhagavataPurana with the commentary of Sridhara in Sanskrit.<\/li>\n<li style=\"text-align: justify\"><a href=\"http:\/\/www.mahavirmandirpatna.org\/Rama%20is%20the%20embodiment%20of%20Dharma.html\">http:\/\/www.mahavirmandirpatna.org\/Rama%20is%20the%20embodiment%20of%20Dharma.html<\/a>is a very good blog giving a traditional view-point.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Bibliography<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"text-align: justify\"><em>Arthasa\u1e43graha<\/em>. See Thibaut G. below.<\/li>\n<li style=\"text-align: justify\">Arthasastra. See Kangle below.<\/li>\n<li style=\"text-align: justify\">Bhoja, <em>Champ\u016b-R\u0101m\u0101ya\u1e47a<\/em>. Bombay: NirnayaSagar Press, 1898.<\/li>\n<li style=\"text-align: justify\">Kangle, R P. <em>KautiliyaArthasastra. 3 Pt. Pt 1. Sanskrit Text with Glossary Pt 2. English<\/em> <em>Translation with Critical and Explanatory Notes Pt 3. Study<\/em>. Delhi: MotilalBanarsidass, 2000.<\/li>\n<li style=\"text-align: justify\"><em>Ramayana of Valmiki with Three Commentaries<\/em>. Bombay: New Gujarati Press, 1912.<\/li>\n<li style=\"text-align: justify\">Setlur, S. S., ed. <em>The Mit\u0101kshara with Visvar\u016bpa and Commentaries of Subodhini and<\/em> <em>B\u0101lambhatti<\/em>. Madras: The Brahmavadin Press, 1912. (The Mitakshara is a famous commentary on the Yajnavalkyasmriti).<\/li>\n<li style=\"text-align: justify\">\u015ar\u012bmadbh\u0101gavata-\u015br\u012bdhar\u012b (Bh\u0101v\u0101rthad\u012bpik\u0101). Ed., PandeyaRamatejaShakhi. Banaras:<\/li>\n<li style=\"text-align: justify\">PanditPustakalaya, 1949.<\/li>\n<li style=\"text-align: justify\">Thibaut G., Editor and Translator. <em>The Arthasa\u1e43graha: An Elementary Treatise on M\u012bm\u0101\u1e43s\u0101\u00a0<\/em><em>by Laug\u0101kshiBh\u0101skara. <\/em>Benares: Braj B. Das &amp; Co., 1882.<\/li>\n<li style=\"text-align: justify\"><em>Yajnavalkyasmriti<\/em>. See Setlur, S. S. above.<\/li>\n<\/ul>\n","protected":false},"author":8,"menu_order":15,"template":"","meta":{"_acf_changed":false,"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":["dr-n-siva-senani"],"pb_section_license":""},"chapter-type":[],"contributor":[59],"license":[],"class_list":["post-88","chapter","type-chapter","status-publish","hentry","contributor-dr-n-siva-senani"],"part":3,"_links":{"self":[{"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/pressbooks\/v2\/chapters\/88","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/wp\/v2\/users\/8"}],"version-history":[{"count":3,"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/pressbooks\/v2\/chapters\/88\/revisions"}],"predecessor-version":[{"id":91,"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/pressbooks\/v2\/chapters\/88\/revisions\/91"}],"part":[{"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/pressbooks\/v2\/parts\/3"}],"metadata":[{"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/pressbooks\/v2\/chapters\/88\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/wp\/v2\/media?parent=88"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/pressbooks\/v2\/chapter-type?post=88"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/wp\/v2\/contributor?post=88"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/ebooks.inflibnet.ac.in\/icp05\/wp-json\/wp\/v2\/license?post=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}