Skip to content
Increase Font Size
Toggle Menu
Home
Read
Sign in
Search in book:
Search
Contents
Front Matter
Introduction
1.
Chapter 1
2.
Drama in India: An Introduction
3.
Sanskrit Drama: An Overview
4.
Ancient Tamil Drama: An Overview
5.
Natyashastra and Rasa
6.
Kalidasa: Abhignana Shakuntalam
7.
Sudraka: Mrichhakatika
8.
Classical Western Drama: Origin and Development
9.
Rise of Bhasha: Great Traditions and Little Traditions; Western Impact and Indian Response; Cultural Politics and Hybridity
10.
Theatre: Architecture, Apparatus, Acting; Censorship and Spectatorship; Translations and Adaptations
11.
Parsi Theatre; Regional Theatre
12.
Dinabandhu Moitra: Nil Darpan
13.
Gurjada Appa Rao: Kanyasulkam
14.
Rabindranath Tagore: Theory and Plays: Post Office/Muktadhara/Rakta Karabi/Chitra
15.
Asian Drama Forms: Japan – Noh, Kabuki
16.
South-Asian Ramakien
17.
Impact of Marxism and Freudian Psychoanalysis
18.
Nationalism and Popular Sentiment Bharati Sarabhai: The Well of the People
19.
Bijon Bhattacharya: Nabanna
20.
Utpal Dutt: Kallol
21.
Writing the Colony: Tom Stoppard: Indian Ink
22.
Theatre Styles and Group Theatre Movement, Mitra, Alkazi, Panikkar Subbanna, Alekar, Elkunchwar, Padamsee
23.
Dharamvir Bharati’s Andha Yug
24.
Vijay Tendulkar’s Shantata, Court Chalu Aahe
25.
Badal Sircar: Micchil (Theatre of the Oppressed: Augusto Boal)
26.
Mohan Rakesh’s Ashad Ka Ek Din
27.
Ratan Thiyyam: Chakravyuh/ Uttarpriyadashi; Kanhailal Heisnam Pebet
28.
Dina Mehta: Brides are Not for Burning; Shaonli Mitra: Nathabati Ananthabat
29.
Form, Content, Language: Street Theatre in India
30.
Habib Tanveer’s Charandas Chor& Dakxin Bajrange Chahra’s Budhan Bolta Hai
31.
Mahesh Dattani: Tara
32.
Satish Alekar: Begum Barve
33.
Vinodini: Daham
34.
Manjula Padmanabhan’s Harvest
Back Matter
Appendix
Comparative Indian Drama
This is where you can write your introduction.